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Some have argued that since e-mail can now append images to text, and fax software is routinely bundled with PC modems and new PCs, the days of the fax machine are numbered But this is not necessarily so In many cases, a signed fax carries more weight in a court of law than an e-mail message In parts of the world where logogram (also called pictogram) languages like Chinese are common, faxing is much more common than e-mail Faxes can easily handle handwritten (or hand-scrawled) input, no matter how complex or mixed with text and diagrams A fax is by definition an exact copy of what was sent, right down to the typos Faxes are tangible, meaning that there is no risk that the computer might crash and take the only copy of the document before it can be printed out.

Finally, there are millions of fax machines already out there that will not disappear overnight What has all of this to do with voice over frame relay Just this: Even if frame relay is deemed too poor in terms of voice quality for human conversation, frame relay might be just right for fax traffic If 40 percent of a company s calls to Europe are faxes, putting this traffic on the frame relay network could save an enormous amount of money All that is necessary is to either create a DSP board for faxing, or even take an analog signal from a Group III fax and subject it to the same DSP as ordinary sound Of these two approaches, the special DSP fax board approach is preferred, since the number of analog-digital conversions (and the inevitable distortions) will be fewer..

The buttons along the top of the Script Debugger (see Figure 182) take a little getting used to, mainly because they re adorned by rather obscure icons and aren t labeled They do, however, have tooltips you can view by holding the mouse over them for a few seconds so that you aren t totally in the dark The buttons along the top of the Script Debugger window operate as follows: n Step Over: Advances through the current script one line at a time, without stepping into (debugging) any sub-scripts n Step Into: Advances through the current script sequence line-by-line, stepping into and debugging any sub-scripts encountered as it goes n Step Out: Ceases debugging the current script or sub-script, allowing it to run normally until its conclusion.

(If you re debugging a sub-script, you ll be returned to the parent script at the line after the Perform Script[ ] command calling the sub-script) However, if the current script includes breakpoints, the Step Out button causes it to run until the next breakpoint is reached n Set Next Step: Allows you to designate a selected step as the next step to execute Using this control lets you modify the execution sequence while debugging, either skipping over steps or repeating steps n Run/Pause: Sets the script running until the next break point (if any) or until its conclusion n Halt Script: Cancels all active scripts, regardless of state at the current step, and exits the Script Debugger n Set/Clear Breakpoint: Adds or removes a marker (appearing as a red tag at the left) on the currently selected script step.

When a breakpoint has been set, you can use the Run/ Pause button to run the script through to the next breakpoint (It will pause automatically when it reaches the tagged step) You can also add or modify breakpoints in the Edit Script window by clicking in the gray band to the left of the script pane or at the left of the Script Debugger window in FileMaker Pro Advanced..

The Layers panel provides a number of masking controls, including a simple Add Mask button that creates a new, empty bitmap mask and selects it for editing. If the mask you re after is so simple that you can draw it with Fireworks tools, then adding a mask is a good way to get started. To add a bitmap mask to an object, follow these steps: 1. Select the object that you want to apply a mask to. 2. Choose Window Layers to display the Layers panel, or use the keyboard shortcut, F2. 3. If necessary, click in the Expand/Collapse column in the Layers panel to open the current layer so that you can see the currently selected object. 4. Click the Add Mask button on the Layers panel. Fireworks creates an empty bitmap mask and applies it to the currently selected object. The mask is also selected for editing.